Toutes peintures ā l'huile d'HEYDEN, Jan van der


ID Image Painting(From A to Z)    Details 
29243  
HEYDEN, Jan van der, A Fortified Castle on a Riverbank
 
 A Fortified Castle on a Riverbank   mk65 Oil on panel 18x25 1/2"
44412  
HEYDEN, Jan van der, Amsterdam, Dam Square with the Town Hall and the Nieuwe Kerk
 
 Amsterdam, Dam Square with the Town Hall and the Nieuwe Kerk   1667 Oil on canvas, 85 x 92 cm
7476  
HEYDEN, Jan van der, Amsterdam, Dam Square with the Town Hall and the Nieuwe Kerk s
 
 Amsterdam, Dam Square with the Town Hall and the Nieuwe Kerk s   1667 Oil on canvas, 85 x 92 cm Galleria degli Uffizi, Florence
43531  
HEYDEN, Jan van der, Approach to the Town of Veere
 
 Approach to the Town of Veere   1651-1700 c. 1665 Oil on panel, 45,7 x 55,9 cm
7478  
HEYDEN, Jan van der, Approach to the Town of Veere af
 
 Approach to the Town of Veere af   c. 1665 Oil on panel, 45,7 x 55,9 cm Royal Collection, London
32346  
HEYDEN, Jan van der, Dam Square, Amsterdam
 
 Dam Square, Amsterdam   c. 1668 Oil on canvas
32353  
HEYDEN, Jan van der, proach to the Town of Veere
 
 proach to the Town of Veere   c. 1665 Oil on panel, 45,7 x 55,9 cm
32351  
HEYDEN, Jan van der, Still-life with Rarities
 
 Still-life with Rarities   1712 Oil on canvas, 74 x 63,5 cm
32347  
HEYDEN, Jan van der, The Martelaarsgracht in Amsterdam
 
 The Martelaarsgracht in Amsterdam   c. 1670 Oil on wood, 44 x 57,5 cm
63078  
HEYDEN, Jan van der, The New Town Hall in Amsterdam after
 
 The New Town Hall in Amsterdam after   1652 Oil on canvas, 73 x 86 cm Musee du Louvre, Paris This is the second version of the same subject that he completed shortly after the first painting. (The first is in the Galleria degli Uffizi, Florence.) Here the viewpoint is somewhat further to the right and the perspective is different; the foreshortening of the Town Hall's fa?ade is less pronounced, and the lantern's distortion - too strong in the first version - has been corrected. Artist: HEYDEN, Jan van der Painting Title: The New Town Hall in Amsterdam , 1651-1700 Painting Style: Dutch , , landscape
7477  
HEYDEN, Jan van der, The New Town Hall in Amsterdam sf
 
 The New Town Hall in Amsterdam sf   after 1652 Oil on canvas, 73 x 86 cm Mus??e du Louvre, Paris
51030  
HEYDEN, Jan van der, View of a Bridge
 
 View of a Bridge   Oil on panel, 24 x 31 cm
7479  
HEYDEN, Jan van der, View of a Bridge sg
 
 View of a Bridge sg   Oil on panel, 24 x 31 cm Koninklijk Museum voor Schone Kunsten, Antwerp
43532  
HEYDEN, Jan van der, View of Delft
 
 View of Delft   1651-1700 Oil on wood 55 x 71 cm Institute of Arts,
7480  
HEYDEN, Jan van der, View of Delft sg
 
 View of Delft sg   Oil on wood, 55 x 71 cm Institute of Arts, Detroit
32354  
HEYDEN, Jan van der, View of the Herengracht, Amsterdam
 
 View of the Herengracht, Amsterdam   c. 1670 Oil on canvas
7481  
HEYDEN, Jan van der, View of the Herengracht, Amsterdam sf
 
 View of the Herengracht, Amsterdam sf   c. 1670 Oil on canvas Private collection
32355  
HEYDEN, Jan van der, View of the Westerkerk, Amsterdam
 
 View of the Westerkerk, Amsterdam   c. 1660 Oil on oak, 91 x 114 cm
32356  
HEYDEN, Jan van der, View of the Westerkerk, Amsterdam
 
 View of the Westerkerk, Amsterdam   1670s Oil on panel, 41 x 59 cm
7483  
HEYDEN, Jan van der, View of the Westerkerk, Amsterdam  sf
 
 View of the Westerkerk, Amsterdam sf   1670s Oil on panel, 41 x 59 cm Wallace Collection, London
7482  
HEYDEN, Jan van der, View of the Westerkerk, Amsterdam f
 
 View of the Westerkerk, Amsterdam f   c. 1660 Oil on oak, 91 x 114 cm National Gallery, London

HEYDEN, Jan van der
Dutch Baroque Era Painter, 1637-1712 Dutch painter, draughtsman, printmaker and inventor. In 1650 he moved to Amsterdam with his family; his father, a Mennonite, who had pursued various occupations rather unsuccessfully, died that year. Jan's artistic training may have begun with drawing lessons in the studio of a relative, perhaps his eldest brother, Goris van der Heyden, who made and sold mirrors; Jan may also have studied the reverse technique of glass painting with an artist in Gorinchem. Painting occupied relatively little of his time, however, although he continued to pursue it throughout his long life. His prosperity was mainly due to his work as an inventor, engineer and municipal official. He designed and implemented a comprehensive street-lighting scheme for Amsterdam, which lasted from 1669 until 1840 and was adopted as a model by many other towns in the Netherlands and abroad. In 1672,



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